Simply select your manager software from the list below and click on download. Privacy Policy, Open Access at UC Press: A Q&A with Interim Director Erich van Rijn, States of Media+Environment: Editors’ Introduction, Of Dragons and Geoengineering: Rethinking Elemental Media, Mediated Environment across Oceans and Countries, Mapuche Cosmovision and the Cinematic Voyage: An Interview with Filmmaker Francisco Huichaqueo Pérez, Cosmovisión mapuche y el viaje cinematográfico: Una entrevista con el cineasta Francisco Huichaqueo Pérez, , University of California, Santa Barbara, USA, EcoCultureLab, University of Vermont, USA, Environmental Humanities Initiative, University of California, Santa Barbara, USA, Global Media Technologies & Cultures Lab, Massachusetts Institute of Technology, USA, Media and Environment Research Program, Monash University, Melbourne, Australia. Media+Environment is published by the University of California Press, and founded in partnership with the Carsey-Wolf Center and the Division of Humanities and Fine Arts at the University of California, Santa Barbara. Sharing links are not available for this article. Subscriptions are on a full volume (calendar year) basis. Registered in England & Wales No. shriverrice@miami.edu, Nicole Starosielski You can order online or by contacting our distributors at the following address. Postage will be added at the following rates for other regions: VAT will be charged, where applicable, at the standard rate for online only orders, and on the online component of institutional (print and online) subscriptions (50% of the price). No cancellations will be accepted. Contact us if you experience any difficulty logging in. British Library's Document Supply Service. (. Opinion-leader campaigns on climate change, Biotechnology and the American media: The policy process and the elite press, 1970 to 1999, Public relations influence on coverage of environment in San Francisco Area, Regional issues, national norms: A four-region analysis of US environment reporters, Framing, agenda setting, and priming: The evolution of three media effects models, Social problems theory: The constructionist view, Constructing a social problem: The press and the environment, Visualising biodiversity: The role of photographs in environmental discourse, Communication strategies of ‘greenwash trackers’: How activist groups attempt to hold companies accountable and to promote sustainable development, The environmental agenda: An illustration of how situations may become political issues and issues may demand responses from government; or how they may not, Issue attributes and agenda-setting by media, the public, and policymakers in Canada, Local press coverage of environmental conflict, Longitudinal modelling of public issues: An application of the agenda-setting process to the issue of global warming, (2009) When does the public’s issue agenda affect the media’s issue agenda (and viceversa)? Successfully communicating scientific information is a particularly critical and challenging endeavour that reaches far beyond issues of effective information communication aimed at heightening scientific literacy. His forthcoming new book, Wired into Nature: The Telegraph and the North American Frontier (University of Illinois Press) brings together media history and environmental studies to narrate the story of the telegraph and North America west of the Mississippi River during the latter half of the nineteenth century. Janet Walker is a professor of film and media studies at the University of California, Santa Barbara, where she is also affiliated with the Carsey-Wolf Center’s Environmental Media Initiative. If you have an individual subscription to this content, or if you have purchased this content through Pay Per Article within the past 24 hours, you can gain access by logging in with your username and password here: This site uses cookies. Simply select your manager software from the list below and click on download. in 2020, £10 postage will be added if ordering from within the EU, $7 if ordering from the Americas (except US and Canada). For new scientists, science communicators, humanists, artists and environmental messengers, the defining creative and intellectual challenge of the twenty-first century exists in the use and design of digital content aimed at engaging an increasingly participatory digital media culture. For more information view the SAGE Journals Article Sharing page. Adrian Ivakhiv is the Steven Rubenstein Professor of environment and natural resources, and a professor of environmental thought and culture, at the University of Vermont. And stay up to date with our latest books and journals, new journal issues, call for papers, special announcements and much more! Connecticut, CT 06776, USA Lean Library can solve it. Please check you selected the correct society from the list and entered the user name and password you use to log in to your society website. The Editor invites comments concerning this rather controversial paper. Environments (ISSN 2076-3298) is an international scientific peer-reviewed open access journal of environmental sciences published monthly online by MDPI. W: www.turpin-distribution.com. “We figured the best way to launch the journal would be to provide a survey of provocative pieces from figures known in the field (and representing different places within it, both geographically speaking and theoretically),” notes co-Editor-in-Chief Adrian Ivakhiv. If you have the appropriate software installed, you can download article citation data to the citation manager of your choice. The Journal of Environmental Media offers a scholarly platform to bridge work in environmental studies, identity and social justice, and science communication through the prism of screen media, focusing on the role of new and emerging digital media in our understanding and perception of the environment and related social issues. For further information on subscribing, access and any other questions, please see our Subscribe or Information for Librarians page. He is the author of Ecologies of the Moving Image: Cinema, Affect, and Nature (Wilfrid Laurier University Press 2013) and Claiming Sacred Ground: Pilgrims and Politics at Glastonbury and Sedona (Indiana University Press 2001). For more information view the SAGE Journals Sharing page. This Journal is Part of the Following collections: Please note the prices displayed are determined by your regional IP address. today’s changing media environment. The Editors-in-Chief are grateful for support from our sponsors, including: Carsey-Wolf Center, University of California, Santa Barbara, USA (Director: Professor Patrice Petro), Department of Film and Media Studies, University of California, Santa Barbara, USA, Division of Humanities and Fine Arts at the University of California, Santa Barbara, USA, EcoCultureLab, University of Vermont, USA (Coordinator: Professor Adrian Ivakhiv), Environmental Humanities Initiative, University of California, Santa Barbara, USA (Director: Ken Hiltner), Global Media Technologies & Cultures Lab, Massachusetts Institute of Technology, USA (Director: Professor Lisa Parks), Media and Environment Research Program, Monash University, Melbourne, Australia (Program Leader: Associate Professor Belinda Smaill), Media+Environment is an open-access, online, peer-reviewed journal of transnational and interdisciplinary ecomedia research. 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A comparison of French and American coverage of global climate change, The production and consumption of environmental meanings in the mass media: A research agenda for the 1990s, Ideological cultures and media discourses on scientific knowledge: Re-reading news on climate change, Media(ted) discourse and society: Rethinking the framework of critical discourse analysis, Testing public (un) certainty of science: Media representations of global warming, Localized debates of agricultural biotechnology in community newspapers: A quantitative content analysis of media frames and sources, Analysing Print Journalism. No refunds or returns, unless under exceptional circumstances. Combining ecological cultural ethics, production studies, natural philosophy, and ethnography, Hollywood's Dirtiest Secret offers an alternative environmental history of Hollywood—and of the social function of screen culture—from the classical era to the contemporary digital turn, looking in particular at the material consequences of how we make, watch, and dispose of movies.
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