Phase coherence, in the context of drums, means getting the individual mics/elements of the kit to “push” and “pull” in the same direction (within reason), eliminating any major phase cancellations from occurring while allowing everything to punch significantly harder. Boxiness can make any drum sound awful. Some of the best drum tones of all time are the result of an SSL EQ being pushed HARD. Use slow attack time to let the initial transient get through before the compression happens and fast release. EQ the Kick Drum . This is how to mix fat and punchy snare drum: Nothing earth shattering effects or magical tricks, just a simple approach of making the snare have more top end, low end and energy. In case your snare sounds a bit boxy, boost around 500-700Hz to find the frequency and cut it out. P.S. It’s one of those things you need to … Simply put, the attack parameter of a compressor determines how long it’s going to take for the signal to reach it’s fully “compressed” state after exceeding our predetermined threshold. Punchy drums. – Cheap Vocal Mic: t.bone SC 300, An Easy Way to Mix Backing Vocals (and to Make Sure They Don’t Get in The Way of Lead Vocals), Mixing Vocals – What to Do? Lastly, around 200Hz gives that nice fatness and low end. Your email address will not be published. Awesome. Instead, the compressor gradually clamped down on our signal within 30-40 ms of it passing above the threshold (due to the “slow attack” setting we selected). When compressing an acoustic kick drum mic with a lot of bleed, loud snare and tom hits will often cause the compressor to clamp down unnecessarily. The great thing about the SSL high-shelf is that it’s pretty foolproof, and sounds extremely musical. If it sounds tubby, then pull down 400Hz and sweep the frequency-select knob up and down until you eliminate the offending frequency. Here are five ways to make drums punch hard in your mix: 1. With Good Phase Coherence The foundation of a tight, punchy drum sound lies in achieving good phase coherence between individual channels before you even begin applying any additional processing. Probably the simplest, most common method of enhancing the attack of a drum is through the use of high/high-mid EQ boosts. Third kick: Trimmed and nudged. We all LOVE them! Finally, I applied a custom volume automation curve to the processed signal in order to match the two waveforms as closely as possible. Start With The Right Ingredients. Ask if there’s anything unclear or if I left something out. In sections of the song where the kick/snare/toms are playing several notes in quick succession, this can cause the kick attack to get somewhat “blurred”, the exact opposite result to what we’re actually after. Simply crank the 8 kHz until you reach the desired amount of attack, set, and forget! Second kick: Rendered sample after flipping polarity. Lastly, around 200Hz gives that nice fatness and low end. Unfortunately, I can’t give you exact numbers for how much you should be boosting, as they’re entirely dependent on your source signal, and genre of music which you’re mixing. With Compression. Mixing fat and punchy snare drum is quite quick and easy job to do, once you have a decent sounding snare to start with. Boost until it sounds bright enough. Guide for Turning Homemade Demos into Pro Sounding Full Songs. In case your snare sounds a bit boxy, boost around 500-700Hz to find the frequency and cut it out. Here are five ways to make drums punch hard in your mix: 1. Mixing Bass and Drums with Sound Radix Auto-Align, Embrace the Space (Mixing Home Recorded Drums), Thomas Brett is a producer, engineer and professional writer currently working for PDND Music, a successful record label & recording studio based in Istanbul, Turkey. Contact: jp@toughtones.com © Tough Tones | Web design: Roseland.fi. P.S. When all three are played back at the same time, the fact that the first two waveforms are attempting to push/pull in opposite directions simultaneously results in a pretty serious cancellation in low-end and transient punch, while the third kick coming in late results in a smearing of the overall kick attack (a kind of “flamming” sound with a lack of definition). To get a snappy snare sound then boost around 6kHz-8kHz this will also add presence to the snare drum. While coming up with the examples for this article, I was struck by the fact that there really are so many different ways of achieving the same end goal when it comes to processing audio — you just need to know how to use the tools! After EQ use a compressor to give the snare some energy. Get 65% Off Mix Essentials. If there’s anything you want me to cover in the future videos let me know. Your email address will not be published. Almost exactly what you’d expect given the SSL compressor settings which were used. (Everything going on here also applies when compressing drums): Top Channel: Our unprocessed sine wave, with some large volume fluctuations. Here are five ways to make drums punch hard in your mix: The foundation of a tight, punchy drum sound lies in achieving good phase coherence between individual channels before you even begin applying any additional processing. Usually a high shelf boost around 8kHz will make the snare much brighter. In the following example, I processed a kick drum sample through 8 dB of 4:1 ratio, slow-attack, fast-release Waves SSL E-Channel compression. We all LOVE them! (Fairly typical settings when trying to enhance a drum’s transient punch, albeit slightly exaggerated for the sake of this demonstration). Sonically, I could hear no distinguishable difference between the kick processed through the SSL, vs the kick processed using volume automation. 4 Parallel Processing Techniques for Drums in a Mix, Black Friday Extended! When this same logic is applied across an entire drum kit (ex: the kick is in phase with the kick bleed in the snare and tom channels, the snare drum is in phase with the overheads, the overheads are in phase with the rooms, etc. As a result, yes, we’ve reduced the dynamic range of the signal by 6 dB. In the following example, I have a single kick drum which was tracked with three separate microphones, each serving a slightly different sonic purpose in the mix: Three kick mics all somewhat out of phase with each other. Can’t translate your songs from your head to the real world? Firstly, we will make a short loop of a kick drum sample on the newly created audio channel within SoundBridge: DAW. What do I me. Download this 40-minute workshop by Matthew Weiss, now for FREE! Transient designers operate under a similar mentality to the “attack enhancing” compression process I outlined in the previous section, with the primary difference between the two methods being the fact that unlike compressors, transient designers aren’t limited by a fixed threshold, and instead offer level-independent dynamic processing of transients based on the input signal (to a certain degree). These are guidelines that I’ve found works most of the time really well. With Good Phase Coherence The foundation of a tight, punchy drum sound lies in achieving good phase coherence between individual channels before you even begin applying any additional processing. Depending on a snare, boosting somewhere around 2,5 – 5kHz is a great for emphasizing attack and snap. There was an error submitting your subscription. The three kicks perfectly in phase. Do These Four Things, Vocal Compression – Settings That Actually Work, Vocal EQ – Four Steps to Professional Vocals. Next, I placed my processed and unprocessed kick drums on top of each other within Reaper’s editing window, allowing me to compare the waveforms of the two signals. People tend to think of compression primarily as … Start with the right frequencies how to make punch... Master your songs from your head to the real world © Tough Tones punchy snare eq Web design:.. Between the kick processed using volume automation curve to the processed signal in order to the... 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